The bottle is spherical with no single defined base, yet the foot ring, borrowed from ceramic tradition, appears more than once. Each one a potential resting point, a place it could settle. The detail was originally there to keep things stable. Here, stability is multiple. The nozzle, rather than defining an upright, simply exits at an angle, as though direction is incidental. The ceramic material is left unembellished. Like the memory it holds, the object always finds a way to feel grounded, you’re just never sure exactly where.